Paper was yesterday. Today is George
The Absurdity of Waste in a Joyful Retro Tale
The idea behind the film is to vividly and emotionally depict the excessive and needless waste of paper, all while introducing the “Geschäftsinfos in George” feature as a sustainable alternative.
The film employs endlessly repeating workflows, precise yet choppy camera movements, and a classic 4:3 aspect ratio to not only evoke a nostalgic atmosphere but also to narrate a tale of being immersed in the monotony of daily, repetitive work. The characters, having embraced their routine, navigate through their tasks with a narrow focus, akin to wearing blinders, oblivious to the broader picture.
Surprisingly, there’s an absence of discontent among the characters. Instead, the film is crafted to be a delightful viewing experience, intensifying the absurdity of the prominently showcased workflows. It’s as if the joy derived from watching should be tinged with a sense of unease, reminiscent of a lump sticking in one’s throat. This feeling is deliberately induced when contemplating the sheer volume of paper still being needlessly produced, printed, sent, and discarded unread in today’s world.
More than just one video.
Behind the Scenes
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
LIGHTS CAMERA ACTION
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
THANKS TO THE CREW
Producer, Director, DoP, Editor, Colorist
Max Leithner
Sound Design, Music Edit
Remigius Klacansky
Music
We Cry – Arai
Gaffer
Michael Vrana
Best Boy
Raphael Riegler
Styling
Joseph Köberl
Hair & Makeup
Birgit Strobl
1st AC
Nick Unger
2nd AC
Clara Schemmel
1st AD
Yalda Walter
Set Manager, BTS
Niklas Schnaubelt
Cast
Eva Zatko
Kathrin Niefergall
Hannes Kvas
Martin Palenik
Renate Hanifl
Sabine Nyikos
Sebastian Knifts